{"id":3832,"date":"2018-06-13T12:31:41","date_gmt":"2018-06-13T03:31:41","guid":{"rendered":"https:\/\/www.gongcraft.net\/?p=3832"},"modified":"2025-10-16T11:39:17","modified_gmt":"2025-10-16T02:39:17","slug":"bluish-mist","status":"publish","type":"post","link":"https:\/\/www.gongcraft.net\/?p=3832","title":{"rendered":"Bluish Mist – Pablo Gonz\u00e1lez-Trejo"},"content":{"rendered":"\t\t
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Bluish Mist<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Bluish\u00a0Mist
<\/span>Pablo Gonz\u00e1lez-Trejo solo art-show
<\/span>2018.6.13 – 2018. 6.27
<\/span>opening reception :<\/span>\u00a02018.6.14(\ubaa9) \uc624\ud6c4 6\uc2dc<\/span><\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\uccad\uc790 ; \uc804\uc7c1\uacfc \uc0ac\ub791, \ub3d9\uc591\uacfc \uc11c\uc591, \uc12c\uc138\ud568\uacfc \ub17c\ub780\uc744 \ubd88\ub7ec\uc77c\uc73c\ud0a4\ub294 \ubd80\ub4dc\ub7fd\uace0 \ud3ed\ub825\uc801\uc778 \uc0c9
– Ferdinand Gouzon<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2016\ub144\u00a0\uc544\ud2b8\ud640\u00a0\uc778\ub514\uacf5\u00a0\ucd08\ub300\uc804\u00a0<\/span><Stolen\u00a0Thoughts><\/a>\u00a0<\/span>\ubc29\ud55c\uc2dc\u00a0Pablo\u00a0Gonz\u00e1lez-Trejo\u00a0(\ud30c\ube14\ub85c\u00a0\uace4\uc798\ub808\uc2a4\u00a0\ud2b8\ub808\ud638)\ub294\u00a0\uace0\ub824\uccad\uc790\uc5d0\uc11c\u00a0\ubbf8\ubb18\ud558\uace0\u00a0\ubb34\ud55c\ud55c\u00a0\ub258\uc559\uc2a4\ub97c\u00a0\ubc1c\uacac\ud588\ub2e4.\u00a0\ud504\ub791\uc2a4\ub85c\u00a0\ub3cc\uc544\uac04\u00a0\ud6c4\u00a0\ud30c\ube14\ub85c\u00a0G.T\ub294\u00a0\u9577\u8c37\u5ddd\u7b49\u4f2f(\ud558\uc138\uac00\uc640\u00a0\ud1a0\ud558\ucfe0)\uc758\u00a0\uc2dc\uc801\u00a0\ubd84\uc704\uae30\uc640\u00a0\uc2e0\ube44\ud55c\u00a0\uace0\ub824\uccad\uc790\uc758\u00a0\ub290\ub08c\uc744\u00a0\uc774\ud0c8\ub9ac\uc544\u00a0\uc2a4\ud478\ub9c8\ud1a0\u00a0(Sfumato)\u00a0–\u00a0\ubb3c\uac74\uacfc\u00a0\ubb3c\uac74\uc758\u00a0\uacbd\uacc4\uc120\uc744\u00a0\ubc14\ub9bc\ud558\uc5ec\u00a0\uadf8\ub9ac\uae30\u00a0–\u00a0\uae30\ubc95\uc744\u00a0\uc0ac\uc6a9\ud558\uc5ec\u00a0\uc791\uc5c5\uc744\u00a0\uc9c4\ud589\ud588\ub2e4.

\ud30c\ube14\ub85c G.T\ub294 \uc804\ud1b5 \uc720\ud654\uae30\ubc95\uc5d0 \uc2e0\uc120\ud568, \ud3c9\uc628\ud568, \ud615\uc774\uc0c1\ud559\uc801 \uc694\uc18c\ub97c \uacb0\ud569\ud558\uc600\ub2e4. \uc774\ub97c \ud1b5\ud574 \ub9c8\uc74c\uc758 \ub208\uc73c\ub85c\ub9cc \ubcfc \uc218 \uc788\ub294 \ud22c\uba85\ud568\uacfc \uadf8 \ub118\uc5b4 \uc874\uc7ac\ud558\ub294 \uc0c9, \uadf8\ub9ac\uace0 \uac80\uace0 \uc5b4\ub450\uc6b4 \uc232\uc758 \uae4a\uc740 \uacf3\uc5d0\uc11c \ud53c\uc5b4\ub098\ub294 \uace0\uc694\ud558\uace0\ub3c4 \ubd88\uc548\uc815\ud55c \uc0c9\uc758 \uc9c4\ub3d9\uc744 \ud654\ud3ed\uc5d0 \ub2f4\uc544 \uc0c1\uc0c1\uc18d \uccad\uc790\uc758 \uc624\ubb18\ud55c \uc0c9\uc744 \ud45c\ud604\ud558\uc600\ub2e4.<\/span><\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Untitled, Oil and Pearls on Canvas, 130 x 195 cm, 2017<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tPablo\u2019s paintings depict a reinterpretation of the Italian Sfumato. It is about surfaces, depths, thicknesses,<\/span>vibrations, erasure and transparency. Through a juxtaposition of layers of pigments and for the sake of justthinning his painting, Pablo veers to express the idea of an infinite and multiple universe. From canvas to canvas,we perceive his quest for purity and pictorial absoluteness. If he travels between figuration and abstraction,the\u00a0goal\u00a0is\u00a0always\u00a0the\u00a0same :\u00a0to\u00a0touch\u00a0the\u00a0Ether.\u00a0<\/span>The Ether as a celestial space in the air of absolute purity,<\/span>the\u00a0Ether\u00a0vibrating\u00a0<\/span>under\u00a0the\u00a0<\/span>influence of a light source.

\ud30c\ube14\ub85c\uc758 \uadf8\ub9bc\uc740 \uc774\ud0c8\ub9ac\uc544 \uc2a4\ud478\ub9c8\ud1a0 \uae30\ubc95\uc5d0 \ub300\ud55c \uc7ac\ud574\uc11d\uc73c\ub85c \uadf8\uc758 \uadf8\ub9bc\uc740 \ud45c\uba74, \uae4a\uc774, \ub450\uaed8, \uc9c4\ub3d9, \uc0ad\uc81c \ubc0f \ud22c\uba85\ub3c4\uc5d0 \ub300\ud55c \ubb18\uc0ac\ub85c \uc774\ub8e8\uc5b4\uc838 \uc788\uc2b5\ub2c8\ub2e4. \uc548\ub8cc\uc758 \uce35\uc744 \ub098\ub780\ud788 \ubc30\uce58\ud558\uace0 \uadf8\ub9bc\uc758 \ub450\uaed8\ub97c \uc587\uac8c \ud45c\ud604\ud558\uba74\uc11c \uc6b0\uc8fc \ud639\uc740 \ubcf4\ub2e4 \ud070 \uac70\ub300\ud55c \uc6b0\uc8fc\uc5d0 \ub300\ud55c \uadf8\uc758 \uc0dd\uac01\uc744 \ud45c\ud604\ud558\ub824 \uc560\uc501\ub2c8\ub2e4.

\ub530\ub77c\uc11c \uadf8\uc758 \uadf8\ub9bc\uc744 \ubcf4\uba74 \uc21c\uc218\uc131\uacfc \ud68c\ud654\uc758 \uc808\ub300\uc131\uc5d0 \ub300\ud55c \uadf8\uc758 \ud0d0\uad6c \uc5ec\uc815\uc744 \uc54c \uc218 \uc788\uc2b5\ub2c8\ub2e4.\uadf8\uac00 \uad6c\uccb4\uc131\uacfc \ucd94\uc0c1\uc801 \uac1c\ub150\uc744 \ucc3e\ub294 \uc5ec\uc815\uc744 \ub5a0\ub09c\ub2e4 \ud55c\ub2e4\uba74, \uadf8 \uc5ec\ud589\uc758 \ubaa9\ud45c\ub294 \uc5b8\uc81c\ub098 \ucc9c\uc0c1 \uc138\uacc4\uc640 \uac19\uc740 \uc808\ub300 \uc21c\uc218\uc131\uacfc \ube5b\uc758 \uc601\ud5a5\ud558\uc5d0\uc11c \uc77c\uc5b4\ub098\ub294 \uc9c4\ub3d9\uc774\ub77c\ub294 \ub450 \uac1c\ub150 \ubaa8\ub450\ub97c \ub2e4\ub8f0 \uac83\uc785\ub2c8\ub2e4.

Bluish Mist

La peinture r\u00e9cente de Pablo Gonz\u00e1lez-Trejo nous donne \u00e0 voir une r\u00e9interpr\u00e9tation du Sfumato Italien et s\u2019aventure dans les myst\u00e8res du C\u00e9ladon. Il est ici question de surfaces, de profondeurs, d\u2019\u00e9paisseurs, de vibrations, d\u2019effacement et de transparence. Par un travail de juxtaposition de couches de pigments et dans un souci de juste dilution de sa peinture,

Pablo G.T. tend \u00e0 exprimer l\u2019id\u00e9e d\u2019un univers infini et multiple. De toile en toile, nous percevons sa qu\u00eate de puret\u00e9 et d\u2019absolu pictural. S\u2019il voyage entre figuration et abstraction, le but est toujours le m\u00eame : toucher du doigt l\u2019\u00c9ther. L\u2019\u00c9ther comme espace c\u00e9leste \u00e0 l\u2019air d\u2019une puret\u00e9 absolue, l\u2019\u00c9ther qui vibre sous l\u2019influence d\u2019une source lumineuse.

Ses derniers sujets figuratifs \u00e9taient des for\u00eats et des paysages de collines sauvages. Ses paysages dessin\u00e9s ou peints sur le motif dans les collines de l\u2019Espagne andalouse, ainsi que ses for\u00eats imaginaires sont r\u00e9alis\u00e9s au graphite. Le trait est appuy\u00e9, les troncs d\u2019arbres se dessinent et s\u2019organisent dans leur multitude, nimb\u00e9s dans la noirceur du mat\u00e9riau. Ainsi au commencement il y a la ligne, le dessin, puis le jet, l\u2019\u00e9claboussure et l\u2019\u00e9talement de la poudre de graphite qui vient s\u2019apposer comme voile de constellations sur le dessin. Tout est affaire de strate, de recouvrement,d\u2019effacement. L\u2019oeuvre baigne dans l\u2019obscurit\u00e9 et l\u2019\u00e9clat noir argent\u00e9 propre au graphite, s\u2019y r\u00e9v\u00e8lent des profondeurs, des ab\u00eemes. Si parfois l\u2019\u00e9touffement n\u2019est pas loin, toujours subsiste une fen\u00eatre pour l\u2019apparition ; le regard finit par p\u00e9n\u00e9trer le jeu de superpositions pour atteindre les profondeurs de la for\u00eat. Il y a l\u00e0 quelque chose \u00e0 voir avec l\u2019origine, un \u00e9tat premier du monde.\n
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U<\/span>ntitled, Oil, Lapis Lazuli and Pearls on Canvas, 81 x 100 cm, 2017<\/p>\n\n

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\n\t\t\t\tSuite\u00a0\u00e0\u00a0ces\u00a0paysages\u00a0composant\u00a0une\u00a0s\u00e9rie\u00a0de\u00a0tableaux\u00a0noirs\u00a0qui\u00a0se\u00a0d\u00e9clinent sur\u00a0diff\u00e9rents\u00a0formats,\u00a0Pablo\u00a0G.T.\u00a0entreprend\u00a0une\u00a0suite\u00a0de\u00a0all-overs\u00a0color\u00e9s. Comme\u00a0avec\u00a0la\u00a0poudre\u00a0de\u00a0graphite,\u00a0il\u00a0semble\u00a0que\u00a0le\u00a0peintre\u00a0ait\u00a0une fascination\u00a0pour\u00a0la\u00a0couleur\u00a0pure,\u00a0sans\u00a0m\u00e9lange,\u00a0juste\u00a0l\u2019\u00e9clat\u00a0du\u00a0pigment, peindre\u00a0pour\u00a0vivre\u00a0la\u00a0vibration\u00a0de\u00a0la\u00a0couleur,\u00a0dans\u00a0une\u00a0pure\u00a0jouissance r\u00e9tinienne.\u00a0De\u00a0m\u00eame\u00a0qu\u2019il\u00a0travaillait\u00a0ses\u00a0paysages\u00a0par\u00a0couches,\u00a0Pablo\u00a0G.T. revient\u00a0aux\u00a0superpositions\u00a0dans\u00a0ces\u00a0all-overs.\u00a0Il\u00a0op\u00e8re\u00a0par\u00a0superposition\u00a0de glacis\u00a0et\u00a0de\u00a0recouvrement\u00a0plus\u00a0\u00e9pais.\u00a0Les\u00a0effets\u00a0de\u00a0fondu,\u00a0la\u00a0disparition\u00a0des contours,\u00a0et\u00a0la\u00a0fluidit\u00e9\u00a0des\u00a0\u00e9changes\u00a0color\u00e9s,\u00a0\u00e9voquent\u00a0par\u00a0moments\u00a0la\u00a0magie\nsensuelle\u00a0du\u00a0Sfumato.

\n<\/span>\nIl\u00a0exp\u00e9rimente\u00a0la\u00a0transparence,\u00a0surtout\u00a0dans\u00a0les\u00a0bleus\u00a0et\u00a0les\u00a0violets.\u00a0Nous n\u2019\u00e9chappons\u00a0pas\u00a0ici\u00a0aux\u00a0r\u00e9f\u00e9rences\u00a0au\u00a0cosmos,\u00a0\u00e0\u00a0l\u2019univers\u00a0et\u00a0son\u00a0immensit\u00e9 insondable.\u00a0Est-ce\u00a0\u00e0\u00a0dire\u00a0qu\u2019il\u00a0y\u00a0a\u00a0un\u00a0rapport\u00a0\u00e0\u00a0la\u00a0m\u00e9lancolie\u00a0dans\u00a0le travail\u00a0de\u00a0Pablo\u00a0G.T.\u00a0?\u00a0Peut-\u00eatre,\u00a0cependant\u00a0ce\u00a0serait\u00a0bien\u00a0vite\u00a0r\u00e9duire\u00a0sa peinture\u00a0que\u00a0de\u00a0s\u2019arr\u00eater\u00a0l\u00e0.\u00a0Il\u00a0est\u00a0\u00e9galement\u00a0beaucoup\u00a0question\u00a0d\u2019\u00e9motions color\u00e9es\u00a0:\u00a0la\u00a0superposition\u00a0de\u00a0couches\u00a0de\u00a0pigments\u00a0agit\u00a0comme\u00a0un\u00a0prisme qui\u00a0r\u00e9fracte\u00a0et\u00a0r\u00e9fl\u00e9chit\u00a0la\u00a0lumi\u00e8re\u00a0ou\u00a0\u00e0\u00a0l\u2019inverse\u00a0qui\u00a0semble\u00a0la\u00a0polariser.\u00a0Le tableau\u00a0change\u00a0sensiblement\u00a0de\u00a0couleur\u00a0en\u00a0fonction\u00a0de\u00a0son\u00a0orientation\u00a0\u00e0\u00a0la lumi\u00e8re.\u00a0Ainsi\u00a0nous\u00a0pouvons\u00a0croire\u00a0discerner\u00a0certaines\u00a0couleurs\u00a0qui\u00a0ne\u00a0sont probablement\u00a0que\u00a0des\u00a0vues\u00a0de\u00a0l\u2019esprit.

\n<\/span>\nEn\u00a02016\u00a0l\u2019artiste\u00a0est\u00a0invit\u00e9\u00a0\u00e0\u00a0exposer\u00a0son\u00a0travail\u00a0en\u00a0Cor\u00e9e,\u00a0\u00e0\u00a0S\u00e9oul.\u00a0Est-ce l\u00e0\u00a0qu\u2019il\u00a0d\u00e9couvre\u00a0le\u00a0C\u00e9ladon,\u00a0cet\u00a0\u00e9mail\u00a0au\u00a0combien\u00a0subtil\u00a0et\u00a0aux\u00a0nuances infinies\u00a0?\u00a0Quoi\u00a0qu\u2019il\u00a0en\u00a0soit\u00a0ces\u00a0derni\u00e8res\u00a0peintures\u00a0lui\u00a0empruntent\u00a0une partie\u00a0de\u00a0sa\u00a0gamme\u00a0color\u00e9e\u00a0:\u00a0bleus\u00a0l\u00e9gers\u00a0presque\u00a0\u00e9vanescents,\u00a0jaunes\u00a0p\u00e2les, verd\u00e2tres\u00a0ou\u00a0presque\u00a0blancs.\u00a0Comme\u00a0dans\u00a0ses\u00a0peintures,\u00a0par\u00a0ses\u00a0effets\u00a0de gla\u00e7ures,\u00a0le\u00a0C\u00e9ladon\u00a0en\u00a0c\u00e9ramique\u00a0r\u00e9v\u00e8le\u00a0autant\u00a0qu\u2019il\u00a0att\u00e9nue\u00a0les\u00a0formes. Il\u00a0a\u00a0par\u00a0ailleurs\u00a0une\u00a0mani\u00e8re\u00a0tr\u00e8s\u00a0singuli\u00e8re\u00a0de\u00a0r\u00e9v\u00e9ler\u00a0la\u00a0lumi\u00e8re.\u00a0Il\u00a0permet des\u00a0effets\u00a0de\u00a0transparence\u00a0uniques\u00a0qui\u00a0produisent\u00a0un\u00a0sentiment\u00a0de\u00a0grande profondeur.

\n<\/span>\nL\u2019\u00e9crivain\u00a0et\u00a0journaliste\u00a0Ferdinand\u00a0Gouzon\u00a0\u00e9crivait\u00a0dans\u00a0un\u00a0court\u00a0texte sur\u00a0le\u00a0c\u00e9ladon\u00a0qu\u2019il\u00a0\u00e9tait\u00a0de\u00a0couleur\u00a0incertaine,\u00a0une\u00a0couleur\u00a0imaginaire, \u00ab\u00a0une\u00a0couleur\u00a0tendre\u00a0et\u00a0violente\u00a0qui\u00a0\u00e9voque\u00a0la\u00a0guerre\u00a0et\u00a0l\u2019amour,\u00a0l\u2019orient et\u00a0l\u2019occident,\u00a0la\u00a0d\u00e9licatesse\u00a0et\u00a0le\u00a0tumulte\u00a0\u00bb.\u00a0Nous\u00a0retrouvons\u00a0ici\u00a0les\u00a0effets que\u00a0peuvent\u00a0produire\u00a0les\u00a0peintures\u00a0de\u00a0Pablo\u00a0G.T.\u00a0;\u00a0les\u00a0couleurs\u00a0semblent appara\u00eetre\u00a0dans\u00a0les\u00a0transparences\u00a0de\u00a0la\u00a0peinture\u00a0comme\u00a0des\u00a0vues\u00a0de\u00a0l\u2019esprit. Dans\u00a0la\u00a0profondeur\u00a0de\u00a0ses\u00a0for\u00eats\u00a0de\u00a0graphite\u00a0vibrent\u00a0de\u00a0concert\u00a0calme\u00a0et inqui\u00e9tude.<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Untitled, Oil and Maya Blue on Canvas, 60 x 73 cm, 2017<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Seo Chan Seok & Pablo Gonz\u00e1lez-Trejo, Kumgang San Oil and Acrylic on Canvas, 560 x 280 cm, 2018<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\uae08\uac15\uc0b0 – \uae08\uac15\uc740 \uae08\uac15\uc0b0\uc758 \ub9ce\uc740 \uc774\ub984 \uc911 \uc628 \uc0b0\uc774 \uc0c8\uc2f9\uacfc \uaf43\uc5d0 \ub4a4\ub36e\uc77c \ub54c\uc778 \ubd04\uc758 \uc774\ub984\uc774\ub2e4. \ub610\ud55c \u2018\uae08\uac15\u2019\uc774\ub77c\ub294 \ub9d0\uc740 \uc0b0\uc2a4\ud06c\ub9ac\ud2b8\uc5b4\ub85c \ubc88\uac1c\uc640 \ub2e4\uc774\uc544\ubaac\ub4dc\ub97c \uc758\ubbf8\ud55c\ub2e4.
\nMount Kumgang (Diamond Mountain) has been known for its scenic beauty since ancient times and is the subject of many different works of art. Including its spring name, K\u016dmgangsan.<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Untitled, Oil on Canvas, 65 x 92 cm, 2017<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Pablo\u00a0Gonz\u00e1lez\u00a0Trejo\u00a0<\/b><\/span>
Born\u00a01973\u00a0in\u00a0Sancti\u00a0Sp\u00edritus,\u00a0Cuba,\u00a0lives\u00a0and\u00a0works\u00a0in\u00a0Paris,\u00a0France.
Represented\u00a0by\u00a0The\u00a0Floor\u00a0in\u00a0Barcelona,\u00a0Gong\u00a0in\u00a0Seou\u00a0and\u00a0Noguchi\u00a0Breton\u00a0in\u00a0Miami.
<\/span>
<\/span>
DIPLOMES\u00a0<\/b><\/span>
1999\u00a0Ecole\u00a0Nationale\u00a0Sup\u00e9rieure\u00a0d\u2019Art\u00a0de\u00a0Dijon,\u00a0France DNSEP\u00a0–\u00a0Master\u00a0II
1997\u00a0Ecole\u00a0Nationale\u00a0Sup\u00e9rieure\u00a0d\u2019Art\u00a0de\u00a0Dijon,\u00a0France DNAP
1995\u00a0New\u00a0World\u00a0School\u00a0of\u00a0the\u00a0Arts\u00a0Miami,\u00a0USA
<\/span>
<\/span>INDIVIDUAL\u00a0EXHIBITIONS\u00a0<\/b><\/span>
2018\u00a0\u201cBluish\u00a0Mist,\u201d\u00a0Gong\u00a0Art\u00a0Hall,\u00a0Seoul,\u00a0South\u00a0Korea
2016\u00a0\u201cArchetypes,\u201d\u00a0The\u00a0Floor,\u00a0Barcelona,\u00a0Spain
\u201cStolen\u00a0Thoughts,\u201d\u00a0 Art-Hall indie GONG,\u00a0Seoul,\u00a0South\u00a0Korea
2013\u00a0\u201cGrey\u00a0Paintings,\u201d\u00a0The\u00a0Floor,\u00a0Barcelona,\u00a0Spain
2009\u00a0\u201cNot\u00a0Welcome,\u201d\u00a0Freedom\u00a0Tower,\u00a0Miami,\u00a0USA
2008\u00a0\u201cPortraits\u00a0d\u2019Amis,\u201d\u00a0Galerie\u00a0Jeune\u00a0Cr\u00e9ation,\u00a0Paris,\u00a0France
2007\u00a0\u201cFragments,\u201d\u00a0Galerie\u00a0Helenbeck,\u00a0Paris,\u00a0France
2004\u00a0\u201cBackpack\u00a0Drawings,\u201d\u00a0Rectangle\u00a0Art\u00a0Space,\u00a0Miami,\u00a0USA
1999\u00a0\u201cInforich-Infopoor,\u201d(Backpack\u00a0Paintings),\u00a0Galerie\u00a0de\u00a0l\u2019E.N.S.B.A.\u00a0Dijon,\u00a0France
1998\u00a0\u201cMi…Tour,\u201d(Interactive\u00a0Video\u00a0Installation),\u00a0Galerie\u00a0de\u00a0l\u2019E.N.S.B.A,\u00a0Dijon,\u00a0France<\/span><\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

luish Mist
\nPablo Gonz\u00e1lez-Trejo solo art-show
\n2018.6.13 \u2013 2018. 6.27<\/p>\n","protected":false},"author":1,"featured_media":3877,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[41,39],"tags":[70,57,59,1782,240,420,56,62,173,565,566,83,429,84],"class_list":["post-3832","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-41","category-archives","tag-70","tag-art","tag-exhibit","tag-france","tag-gong","tag-pablo-gonzalez-trejo","tag-painting","tag-workband","tag-173","tag-565","tag-566","tag-83","tag-429","tag-84"],"yoast_head":"\nBluish Mist - 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